In the Lawh-i-Ra'ís which was “revealed shortly after Bahá'u'lláh's incarceration in the citadel of 'Akká and includes a chilling denunciation of the character of the [Ottoman Prime] Minister”, Ali Pasha (The Universal House of Justice, Introduction to ‘Summons of the Lord of Hosts’), Baha’u’llah describes a puppet show that He saw during His older half-brother’s marriage and its effect on Him:
"When I was still a child and had not yet attained the age of maturity, My father made arrangements in Tihran for the marriage of one of My older brothers, and as is customary in that city, the festivities lasted for seven days and seven nights. On the last day it was announced that the play "Shah Sultan Salim" would be presented. A large number of princes, dignitaries, and notables of the capital gathered for the occasion. I was sitting in one of the upper rooms of the building and observing the scene. Presently a tent was pitched in the courtyard, and before long some small human-like figures, each appearing to be no more than about a hand's span in height, were seen to emerge from it and raise the call: "His Majesty is coming! Arrange the seats at once!" Other figures then came forth, some of whom were seen to be engaged in sweeping, others in sprinkling water, and thereafter another, who was announced as the chief town crier, raised his call and bade the people assemble for an audience with the king. Next, several groups of figures made their appearance and took their places, the first attired in hats and sashes after the Persian fashion, the second wielding battleaxes, and the third comprising a number of footmen and executioners carrying bastinados. Finally there appeared, arrayed in regal majesty and crowned with a royal diadem, a kingly figure, bearing himself with the utmost haughtiness and grandeur, at turns advancing and pausing in his progress, who proceeded with great solemnity, poise and dignity to seat himself upon his throne.


































